Suicide Squad bringing the funnies? Who cares?

Now, a lot has been made of these additional pick-ups for David Ayer’s Suicide Squad. The negative reaction to Batman v Superman’s “gritty reality” spawned numerous internet theories about the reasons for said pick-ups, mainly along the lines of the need to add more humour. Then along came this new trailer:

Whether it brings the funnies or not, I’m still very much looking forward to this one. I like apples and oranges.

Thank you for reading 🙂

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Batman v Superman: Dawn of Justice – Admirable

There’s a lot of hate out there for Zack Synder and I’m a bit mystified to be honest. Apart from the misstep that was Sucker Punch, I think his body of work to date has been of good quality. Maybe it’s because the first film he helmed was a darling with the horror fashionistas and remaking a “classic” where the zombies can run really fast put their noses out of joint. While some may point to Romero’s Dawn of the Dead as a fascinating treatise on modern society – the zombification of the masses so-to-speak – I’ve watched it again recently and would describe it as “of its time”. The difference between the original and the remake? The remake is a lot more fun.

Batman Vs Superman Worlds Finest

Anyway, he started off on the wrong foot as far as the “geek brigade” were concerned and never recovered. An admirable adaptation of Watchmen was equally derided, so the perceived foundations of a director who adapts established material and produces sub-standard fayre was set.

Which brings us to Batman v Superman: Dawn of Justice by way of Man of Steel. I loved Mr Synder’s Man of Steel and love this follow up. Henry Cavill is perfect in the role of Kal-El, while casting Ben Affleck as Bruce Wayne/ Batman seemed somewhat left-field, but is a triumph. Words such as “boring” or “failure” or even just plain “bad” have been bandied about but BvS:DoJ is none of those things. And let’s not get into the Marvel vs DC argument – that would be like comparing apples with oranges.

Warner/DC are clearly trying to tap into the level of gravitas lent to the superhero world by way of the Christopher Nolan Batman trilogy, in an attempt to distance themselves from the nudge-nudge-wink-wink world of Marvel – and that’s not a dig either. I’m as much of a Marvel fan as I am DC. The accountability issue of such heroes fighting for the greater good but causing so much collateral damage is clearly valid and one which will also be addressed by Captain America: Civil War – but with more superheroes involved. Substitute Toy Stark and his “team” for Holly Hunter’s Senator Finch and her oversight committee and parallels can surely be drawn.

But this isn’t about “my Dad’s better than your Dad“. Like I said, apples and oranges. Where Marvel got to test the waters with The Incredible Hulk and Iron Man – arguably two lesser characters on a roster of more well known and established offerings – Warner/DC are creating a DC cinematic universe with their two heavy hitters, so there’s a lot more at stake with the fan base. For me, it all worked. Any film which has to deal with giving enough time to a lot of important characters will need to jump around a bit to “please the most people” and BvS handles this with dexterity. I liked the use of musical cues as well – the Man of Steel refrain being a personal highlight – and if I were being ultra-critical I’d have liked to see more of Superman, but once again that’s just a personal thing.

Jessie Eisenberg seems to the relish the role of Lex Luthor Jr., playing him with a nice unhinged edge, while Gal Gadot establishes a good starting point for Wonder Woman and sets us up nicely to look forward to a standalone film in the “near” future (23 June 2017 to be precise). Jeremy Irons lends a sardonic tone to his Alfred Pennyworth – a servant to the Wayne family and “father figure” to Bruce Wayne – and is as close to a moral compass as Batman will encounter in a world of polemics. With Lois Lane getting down-and-dirty, Amy Adams’ diminutive stature belies stoical character traits that just as easily support Clark Kent/ Superman as he does the entire world. This ensemble cast of great talent – including Laurence Fishburne and Diane Lane – provide genuine portrayals, ingraining the narrative progression with believability and genuine warmth to the characters they inhabit.

Batman v Superman: Dawn of Justice provides us with the foundations on which this new DC Comics Extended Universe will be built. The jumping-off point for cinematic outings for the likes of Wonder Woman, Aquaman (27th June 2018) and The Flash (16th March 2018), together with a full-blown Justice League film (17th November 2017), we are well on the way to enjoying a superhero universe to (hopefully) rival Marvel’s high quality and well established output. In addition, the prospect of a Ben Affleck directed Batman film, with him in the title role is a mouth-watering one. Don’t be put of by the mainly negative press. This film delivers on a number of levels and is another quality production from Zack Synder, with Ben Affleck and Henry Cavill working admirably at the centre of it all.

Thank you for reading 🙂

Batman v Superman Final Trailer

I’ve been onboard this particular train since they first announced it, but for those of you out there who are still to be convinced about this latest offering from Zack Synder, feast your eyes on this wonder of modern trailer-dom!

If that doesn’t peak your interest, I suggest you check for a pulse.

Batman v Superman: Dawn of Justice hits UK cinema screens on 25th March. I. Can’t. Wait!!!

Thank you for reading 🙂

Best. Music. Ever

So, I woke up this morning and found those lovely people over at Warner Bros. had uploaded a new trailer for Suicide Squad. I thought the footage used at Comic-Con 2015 was good. This is better! Enjoy.

Worst. Superheroes. Ever.

They’re being very canny with the marketing strategy for this one. In all honesty, I was on board the day they announced Will Smith was going to be involved. His career has been on a bit of a slide of late, so to be involved with this kind of project is a somewhat ballsy move. You wouldn’t normally associate such a (perceived) big star signing up for an ensemble piece. He’s usually a one-man-band when it comes to starring in films, but as I say, perhaps his lack of a bone-fide box office hit in the last few years has made him consider other options. And what better way than to get on the superhero gravy train?

By the way, how good is that use of footage, editing and sound editing to hit the beats on an all-time classic? It’s definitey up there with the scene from Wayne’s World insofar as enjoyment of a Queen track goes!

Thank you for reading 🙂

Comic book adaptation obsession

This is by no means a criticism. I started enjoying reading sequential art 30 years ago and still read The Walking Dead – I’m a fan. That the Marvel Cinematic Universe has brought a bunch of super-human costume wearers into the public domain and made them unbelievably popular is to be applauded. The DC Extended Universe has taken a little longer to get up to speed, with The Dark Knight Trilogy being their blueprint for the future of their cinematic outings. I suppose Man of Steel (2013) was the first “official” release into that extended universe, but the “gritty realism” shown in Christopher Nolan’s take on the world created by DC Comics clearly imbues the look and feel of Zack Synder’s Superman adaptation.

While it was obvious Man of Steel would get a sequel, it was a bit of a surprise to hear the announcement from DC and their partner Warner Brothers that the continuation of this universe would include a Suicide Squad adaptation. I’d heard of the comic but was not familiar with it at all. Of course, that’s all about to change with the realise of the film locked in for 5th August in the UK and US. With a cast that includes Oscar winner Jared Leto playing the Joker, Will Smith as Deadshot and Margot Robbie as Harley Quinn, you can colour me interested. Check out this trailer to get yourself up to speed.

I’m liking the look of that! And what better way to publicise such an ensemble cast than to produce some nice character posters as well? Hopefully, the use of such a distinctive style for the posters – rather than the usual head-shots – is an indication of the value of the production itself. We can but hope.

Thank you for reading 🙂

Timing is…

…everything!

I don’t really think Warner Bros. were ever going to win with this one. From the stratospheric high of “Chewie, we’re home” we were always going to be a little let down by anything we saw after that. And that anything just so happens to be the Big Push from DC Entertainment/ Warner Bros. to muscle in on the hitherto unchallenged Marvel Cinematic Universe. Take a look.

I like it. You’ve got to have a Yin for every Yang and DC/ Warner are clearly invested in Christopher Nolan’s gritty “realism” of the Dark Knight franchise and all who now fall within the DC realm. There’s no point in going for the brightly coloured, “jokey edge” that’s worked so well for the MCU. You’ve got to be seen to be trying something different and that’s where we are with the DC Universe. OK, so it’s a bit of a come-down from J J’s (hopefully) Lazarus-like resurrection of (almost) everybody’s favourite space-dwelling characters, but I’m sure on any other day most of us would be getting extremely excited for the next chapter in the Dark Knight’s world.

I know Zack Snyder isn’t particularly popular with the fanboys and girls of this world, but I really like his style and was totally invested in his retelling of the Superman story. With Mr. Nolan behind him (a bit like Mr. Whedon at Marvel), gently guiding the DC projects along the path he created with the Dark Knight franchise, I’m sure we’re in for a real treat. So let’s get on board the good train “gritty” and see where it takes us.

And after all that brooding darkness, here’s something to draw you towards the light of happiness. Feast your eyes on a couple of fantastic new one-sheets for Colin Trevorrow’s entry into the world of genetically created dinosaurs. They’re doozies!

Thank you for reading 🙂